Video: Ariana Harwicz & Gabriela Cabezón Cámara: el rol de las traducciones

 

Ariana Harwicz ha escrito cuatro libros en español, Matate, Amor, La Débil Mental, PrecozDegenerado. Matate, Amor y La Débil Mental han sido publicados en el Reino Unido por Charco Press. Die, My Love fue nominada al International Booker Prize en el 2018.  Ariana Estudió guion cinematográfico; dramaturgia; y licenciatura en Artes del espectáculo en Paris y un máster en Literatura comparada en La Sorbona.

 

Gabriela Cabezón Cámara:  Es autora de las novelas La Virgen Cabezas y Las Aventuras de la China Iron, ambas publicadas en el Reino Unido por Charco Press. Las Aventuras de la China Iron esta nominada el International Booker Prize 2020. Es autora también de dos nouvelles: Le viste la cara a Dios y Romance de la Negra Rubia, y de las novelas gráficas Beya y a su Despojo fue una Muchedumbre.

Gabriela Estudió letras en la Universidad de Buenos Aires. En 2013 fue escritora residente de la Universidad de California en Berkeley. Actualmente ejerce el periodismo de manera independiente.

Moderado por Silvia Rothlisberger. Un evento de FLAWA at Home 2020.

Book review: Feebleminded by Ariana Harwicz (trans. Annie McDermott & Carolina Orloff)

Silvia Rothlisberger

Feebleminded is narrated with an intense and fragmented prose characteristic of Ariana Harwicz (Argentina, 1977). It is the second book of what Harwicz calls an “involuntary trilogy” where she explores motherhood, how it affects the characters psychically, and how it sways their desires. Divided in three parts and with only 117 pages Feebleminded is a bold and superb short novel that confronts the impossible parameters society has set for women.

In the book, a woman in her late 20s lives with her toxic and alcoholic mother. They are more like two best friends than mother and daughter. Their house is a creepy place with wigs hanging up and mice in jars of formaldehyde. We learn about the daughter’s neglected childhood through feverish memories unveiled in conversations and internal monologues. Memories as far in the past as when she was conceived (“the guy comes inside my mum looking skyward and so it all begins”), or from one night when she was in her mother’s womb and the mum threw dice to decide if she’d get rid of the unknown creature inside her.

The pace of the novel is like a staccato: short punchy sentences where there is an intensity, a heaviness; only with short sentences can this roller-coaster of a book be bearable. We follow the story through dialogues where you don’t know if it’s the mother or the daughter talking. Other times the dialogue is internal. We feel their madness, their constant delirium in each phrase, or as the daughter says: “I’m not crazy, just possessed”.

The daughter is in a relationship with a married man who leaves her because his wife is pregnant. She feels angry — “it was the other common bitch who got him”, she thinks. She wishes for the baby to be born dead, or to be a Siamese twin stuck to a dog. But when her mum learns about this, she has a more sinister plan of revenge.

The two women are marginalised, they are maladaptive, they are happy in a very disturbing way. They have relationships with impossible men. They fantasise about men coming to their house to rape them. They drink whisky, talk about sex and masturbate in an insatiable way. From the opening paragraph —each chapter is one long paragraph— when we are getting to know them: “sitting on my clit I invent a life for myself in the clouds. I quiver, I shake, my fingers are my morphine and for that brief moment everything’s fine”.

They are verbally and physically violent to each other. Sometimes the daughter wishes for a different life. “If I could only have started a new chapter elsewhere… say bye to mum without fearing the crack of a fired arrow”. Yet, they are inseparable. At the end of part I, the mother has left and the daughter is searching for her. At the end of part II, it is the daughter who leaves the mother.  But they both return. At times they are tired of life, but most times they can’t get enough of it. At the end of part III they are crawling on hands and knees, covered in blood: “let it all explode, let it all turn to dust, says mother, still wanting more.”

Translated into English by Annie McDermott and Carolina Orloff, from its original in Spanish La Debil Mental, reading this book is an intense deranged tension that only a writer like Ariana Harwicz, who wants to transgress with her work, can achieve.

Harwicz’s main characters – at least in this trilogy – are women searching for who they are in a world that is telling them how they should be. The first book of this trilogy Die, My Love is similarly a sharp book about a marginalised woman who lives with her husband and unwanted baby. It was nominated for the 2018 Man Booker International Prize, and for the Republic of Consciousness Prize, placing Ariana Harwicz at the forefront of the so-called new Argentinian fiction.

 

* I’ll be talking with Ariana Harwicz and Gabriela Cabezón Cámara in an online event on 3 June 2020 7pm (UK time), Find out more HERE!

 

 

Ariana Harwicz on her first novel Die, My Love, nominated for the Man Booker International Prize

Silvia Rothlisberger

When the Argentinian writer Ariana Harwicz wrote her first novel five years ago she didn’t expect the attention it would get from the English-speaking world. Die, My Love is Harwicz’s debut novel long-listed for the Man Booker International Prize 2018. “For a book that has been catalogued as avant-garde and experimental,” she says, “being in the same list with bestseller writers, Nobel Prize writers, Man Booker writers means bravery from them and a great achievement for us.”

Set in rural France, the novel explores being marginalised through its foreign main character. An unnamed woman on the verge of madness, living with her husband and unwanted baby, her nationality or native language are never revealed. “She is unnamed because she only has that role that society gives her: she is a mother, a wife, a lover,” Harwicz explains. “So not giving her a name is a way of irony, it’s a way of laughing at those conventional roles.”

Though there are parallels between the main character and Harwicz’ own life (she wrote this novel after having a baby and moving to the countryside in France) the novel was born from a vision. “A stag appears in the middle of the forest and stares at her as no one has ever done it. Not her husband, not her child, no one,” she says. A foreign woman living in the countryside near a forest, in the midst of that loneliness, with a stag that stares at her, and a baby crying. ”From this alchemy emerges the prose and the music of my first novel”.

Die, My Love is written in an intense and fragmented prose. “The fragmented prose might be related to the way the nights are cut by the baby’s crying. These cries that cut the dream, hence the night, like in One Thousand and one nights or like poetry. And also from an intensity that has to be cut so that it is bearable.”

The imagery of the prose is also influenced by Harwicz’s background as she studied screenwriting and drama in her home country Argentina. “My writing comes from the theatrical concepts of composition and from the techniques in film,” she says, “I always see the scenes as if they were being filmed with a camera”.

The short sentences and violent pace are perfectly captured by Sarah Moses and Carolina Orloff’s translation from its Spanish original. “The process of translating the novel was fascinating to me,” Harwicz says. “I had a close relationship with the translators, answering all their doubts. I could rethink the text with them and it was like rewriting the book all over again”. Die, My love has also been translated into Hebrew and the Man Booker nomination is opening new doors. “Thanks to the novel’s growth it will be translated into more languages.”

Die, My Love was also nominated for the Republic of Consciousness Prize 2018. In its second year now this prize celebrates small presses for taking risks in niche literature. Die, My Love is published by Charco Press, a new indie press based in Edinburgh dedicated to contemporary Latin American writers in translation.“[Both nominations] are also a great achievement for the press house,” she says.

Harwicz has two more novels published in her native Spanish that form an “involuntary” trilogy starting with Die, My Love. “It wasn’t conceived as a trilogy. It was more a literary longing which extended through three novels.” The three novels have mothers as their main characters and in all of them these women are marginalised. “The feminine character of each novel is desperately searching for who she is,” she says. “I wanted to explore how motherhood affects the characters psychically and how it touches their desires.”

In the last two years of the Man Booker International Prize the two writers nominated from Latin America are both women and from Argentina. Samanta Schweblin with Fever Dream in 2017 and this year, Harwicz. “I think this speaks about a moment of greater visibility of Latin American literature and specially about a greater visibility for women writers.” For Harwicz it is a consequence of women’s movements, which are impacting the literary world.

 

#32 Author Fernando Sdrigotti + music from Gabriel Moreno & The Quivering Poets

September’s book is Dysfunctional Males by Argentinian author Fernando Sdrigotti who answered questions from readers and from an invited audience in London’s Calder Bookshop and Theatre.

Fernando Sdrigotti is from Argentina and has been living in London since the early noughties. Fernando is editor of the online magazine Minor Literature[s].  Dysfunctional Males is his third published book but the first one he wrote directly in English. In this interview he talks about switching languages,  exploring London as a writer, what is expected of Latin American writers and how he is crossing that barrier by not falling to those expectations.

About Dysfunctional Males:

Dysfunctional Males is a book of five short stories, all set in London, with a strong urban element, that deal with masculinity, loneliness, friendship, alienation, addictions; through the misadventures of its characters.

Gabriel Moreno & The Quivering Poets is a folk group lead by poet & singer-songwriter Gabriel Moreno. They are launching their new album Farewell Belief in October. In this episode there is a song from this album called Joselin, and two songs from Gabriel Moreno’s previews album Love and Decadence: No one can reach us here and We are what we are.

album launch gabriel moreno & the quivering poets

 

Mentioned in this episode:

Photos from the event with Sdrigotti

We interviewed Fernando Sdrigotti on Saturday 23 September at Calder Bookshop & theatre.

 

Poet & singer-songwriter Gabriel Moreno was featured on episode #4…

Joselin